To recover a dining chair seat and back, you remove the seat pad from the frame, strip the old fabric, replace the foam and wadding if needed, then staple new fabric tightly over the base before refitting it. The back panel is handled separately, either by stapling fabric around a removable board or by working directly on the frame with the old covering used as a template. Most straight sided chairs can be finished in an afternoon with a staple gun, a screwdriver and a sharp pair of scissors.
The job sounds daunting because upholstery has a reputation for being a trade skill, and at the more complex end it certainly is. Deep buttoning, sprung seats and scroll arms genuinely need training. A standard dining chair with a drop in pad and a flat back panel is a different proposition. It is closer to careful wrapping than to traditional upholstery, and the results are hard to get badly wrong if you take your time at the corners.
Before buying anything, turn the chair upside down and look at how the seat is attached. There are three common arrangements in British homes.
The first is a drop in pad. The seat lifts out of a rebate in the frame, usually held by four screws or sometimes by nothing more than gravity and a snug fit. This is the easiest type to recover because you can work on the pad flat on a table.
The second is a fixed seat, where the padding sits over a webbed or solid platform that is part of the frame itself. You still recover it, but you work around the legs and the finished fabric has to be cut and tucked at each corner post.
The third is a fully upholstered chair where the seat and back are one continuous covered shell. These take longer and often involve removing decorative trim or a dust cover from the rear face.
The back also varies. Some chairs have a padded panel screwed on from behind, which is the simplest possible arrangement. Others have an outer back and an inner back that meet at a stitched or piped seam. If your chair has piping, decide early whether you will remake it or accept a plainer finish.
Dining chairs take more punishment than most people expect. They are sat on daily, dragged across floors, leaned back on and occasionally splashed. Fabric choice matters more here than in a bedroom chair that is mainly decorative.
Look for a tightly woven upholstery weight fabric rather than a dressmaking cotton. Upholstery fabric is heavier, has less stretch and will not thin out where the sit bones press. A flat weave or a low pile velvet both work well. Loose weaves and open linens look lovely but tend to snag and pull along the front edge.
Rub count is the standard measure of durability and is quoted by most fabric suppliers. For domestic dining use, a mid range figure is comfortable. There is no need to buy contract grade fabric for a family kitchen unless you want the extra reassurance.
Colour is worth thinking about practically. Pale plain fabrics show every mark. Deep tones hide marks but can show dust and lint. A mid tone with subtle texture or a small pattern is the most forgiving option for a busy household, which is why so many of the upholstered modern fabric dining chairs UK sale ranges lean towards heathered greys, soft taupes and muted greens.
Measure the widest and deepest points of the seat pad, then add the depth of the foam on each side plus at least five centimetres for turning under. For a typical dining seat this comes out around sixty by sixty centimetres per chair. Most upholstery fabric is sold at around one hundred and forty centimetres wide, so you can usually cut two seats across the width.
Back panels need the same treatment: measure the panel, add the padding depth twice, then add a turning allowance.
If your fabric has a pattern, allow extra for matching. Patterns need to run in the same direction on every chair and should be centred on each seat. Buy a little more than the calculation suggests. Running short halfway through a set of six is a genuinely frustrating position to be in, and dye lots vary between batches.
Take photographs before you touch anything. When you come to rebuild the chair three hours later, the photographs will tell you exactly how the corners were folded and where the fabric was trimmed.
Remove any dust cover from the underside first. Then work the old staples out with a staple lifter or a flathead screwdriver and pliers. This is the slowest and least enjoyable part of the job. Work methodically along one edge at a time and keep a small bowl for the removed staples so they do not end up in the carpet.
Keep the old cover intact if you can. Laid flat, it becomes a ready made pattern for cutting the new fabric, complete with the corner shapes already worked out for you.
If the foam has flattened, gone crumbly or feels noticeably firmer at the edges than in the middle, replace it. Old foam is the main reason a recovered chair still feels tired.
Cut new foam to the exact size of the seat base using a long bladed knife or an electric carving knife, which gives a much cleaner edge than scissors. Cut it slightly proud rather than slightly small: foam compresses at the edges when the fabric pulls it in, and an undersized piece leaves a soft dip around the rim.
Over the foam, add a layer of polyester wadding. This softens the hard shoulder of the foam edge, stops the fabric from gripping and rubbing directly on the foam, and gives the finished seat a rounded profile rather than a boxy one. Wrap the wadding over the top and down the sides, then trim it flush with the underside of the base.
Lay the fabric face down on a clean surface, place the padded seat base on top, centred and square to the weave. Check the pattern direction now, not after you have stapled.
Start at the centre of the back edge. Pull the fabric over and put in one staple. Move to the centre of the front edge, pull firmly and staple. Then do the centres of the two sides. You now have four anchor points holding the fabric evenly, and everything after this is about working outwards from those anchors.
Add staples every three to four centimetres, alternating from side to side rather than working right around in one direction. Alternating keeps the tension balanced and stops the fabric from drifting off centre.
Corners are where the job is won or lost. On a square pad, pull the fabric straight out from the corner point first and staple it. Then fold the excess on each side into a single neat pleat facing towards the back or the side, whichever is least visible, and staple through the fold. Trim away the bulk underneath once the fold is secure. Two small pleats look tidier than one large one on thicker fabrics.
If the fabric puckers, take the staples out and pull again. It is always quicker to redo one edge than to live with a wrinkle across the front of a chair you look at every day.
If the back is a screw on panel, the process is identical to the seat but with less padding and less tension. Because the panel is thinner, use shorter staples so they do not come through the front face.
If the back is upholstered directly onto the frame, work the inner back first. Staple along the top rail, then the bottom, then the sides, tucking the fabric through any gap between the back and the seat where possible. Finish the outer back with a panel of fabric whose edges are folded under and either stapled through a strip of card for a crisp line or secured with a decorative trim glued along the seam.
Piping is optional. A neat butt joint covered by a slim braid gives a clean modern look and is considerably easier to execute than a hand sewn piped seam.
Cut a piece of black upholstery cambric slightly smaller than the underside of the seat, fold the edges under and staple it in place. This dust cover hides the raw fabric edges, stops fibres from shedding and makes the chair look professionally finished from every angle.
Refit the seat into the frame and drive the screws back into their original holes. If a hole has worn loose, push a little wood glue and a matchstick into it, let it set and redrill.
Sit on the chair. Then look at it from a metre away in daylight. Small tension issues that were invisible up close often show themselves at a distance.
Recovering makes sense when the frame is sound. If the joints wobble, the legs splay under weight or the timber has split around a screw hole, the fabric is not the problem. A loose joint can sometimes be reglued and cramped, but a chair that has been repeatedly overstressed will keep failing.
It is also worth being honest about the number of chairs. Recovering two chairs is a satisfying weekend. Recovering eight is a serious commitment of time. If the set is already dated in shape as well as in fabric, replacing it may be the more sensible route, and there is a broad choice of modern dining chairs UK sale designs that arrive ready to use. We stock frames in wood, metal and moulded shells across our range at Furniture in Fashion, with free delivery to most UK mainland postcodes.
For anyone recovering chairs to match a new table, it can be easier to start from a coordinated modern dining table and chairs sets UK and keep the recovering project for a single accent chair instead.
Allow around ninety minutes for your first chair including stripping the old cover. Once you have the sequence in your head, subsequent chairs in the same set typically take forty five minutes to an hour each.
On a seat pad you should, because layering new fabric over old builds up bulk at the edges and stops the pad from dropping back into its frame. On a large fixed back panel with only one thin existing layer, covering over is sometimes acceptable.
Ten to twelve millimetre staples suit most dining chair frames. Use shorter staples on thin back panels and check that the staple gun fires flush rather than leaving the crown standing proud.
Yes. The frame does not care what covers it. Strip the leather completely, since it is thicker than fabric and will create ridges if left underneath, then proceed exactly as you would with any other seat pad.
A fabric protector spray is worth applying before the chairs go back into daily use, particularly on pale colours. Apply it in a ventilated space and let it dry fully before anyone sits down.
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